Like many others who have commented on Miley Cyrus’ VMA
performance this past weekend I too have some deep concerns; however, those
concerns do not run in the same vein as the supposed news mavens, YouTube gurus
and etiquette pundits. What currently passes for “expert” opinion on Ms. Cyrus’
performance is devoted to the “how could such a good girl go so wrong?” school
of criticism technique. After all, she
was a “Disney product”, pure as “Ivory soap”.
Did you see those hip movements?
They were so sexually suggestive! The dancing; wait a minute!, what
dancing? That was exhibitionism! Miley
found a way to out Madonna Madonna! Who does she think she is, prancing around
in her underwear? And the people in the audience,
did you see them, with mouths gapping wide.... a true OMG moment! Did your kids
see this? What are we to tell them now?
Fourteen and fifteen year olds grew up wanting to be just like Hannah Montana. Oh, woe are we!
I have a few choice questions and comments for those who
have offered their surface criticism of Miley Cyrus over the past week: Where
the heck have you people been for the last 20 years? What rock have you been sleeping under that
you could not see the potential of such a performance as was given by Miley on
the MTV, VMA Awards show? Have you not heard of popular music stars such as
Nicki Minaj, Snoop Dogg, Dr. Dre, Britney Spears, Lady Gaga, Beyonce, etc.? Relative to modern day video music selections
of the same hip hop genre, what in Ms Cyrus' performance or the performances of those
who danced and sang with her surprised you?
Have you no awareness of the depths to which American music, culture and
character has sunk? How many of you have
gone to a dance featuring songs with far worse lyrics and grinded the night
away? If we are all so oblivious to the
world around us how could a “hit song” by Lady Gaga called “Pokerface” get over
162 million hits on YouTube? What a bunch of hypocrites we are becoming! If we
were to hold a mirror up in the face of our society would we see the strong
faces that made this nation? Or the loving ones who helped to raise us and
thought we held such promise? Or even
the person we once were who dreamed great things, held inside hoping for that
one break or wonderful moment when we could let our light shine?
On August the 27th, the day after the real
firestorm surrounding the Miley Cyrus VMA performance hit, the Wall Street
Journal (WSJ) published an Op-Ed piece by journalist Juan Williams at the bottom of
page A15. The article was entitled: “Songs
of the Summer of 1963 …and 2013”
( http://online.wsj.com/article/SB10001424127887324619504579028691595414868.html)
The article juxtaposed the aura of those folk songs so filled with hope,
longing for justice and faith in the future, surrounding and accompanying Dr.
Martin Luther King, Jr.’s “I Have a Dream” speech held on August 28, 1963 with
the current genre of hip-hop selections that are filled with sex, violence,
bigotry and greed. For examples of the lyrics of the time in 1963, Mr. Williams refers to the songs of Bob dylan, Joan Baez, Woody Guthrie, Johnny Cash, Sam Cooke, Curtis Mayfield and the vocal group Peter, Paul and Mary. The WSJ Op-Ed article is well worth
reading if you have not already done so.
And, it goes a long way to explaining how far we have come from that day in 1963 to this past weekend when Miley Cyrus was led into a
production for the VMAs that was at once both an affront to common decency and the
epitome of the “the best” that our egocentric, jaded,
entertainment-driven culture is capable of producing. We have become a nation of schizophrenics fully
aware of the damage we do through our base treatments of others yet craving all
the more excess and hyperbole. That is
why the same pundits that castigate Miley Cyrus for her actions at the VMA show
this year will probably find themselves at some nightspot this weekend grinding
the night away to the sound of Lil Wayne as he croons about “hoes” and bitches”. That is also why we all need to seriously rethink the direction of our culture and our society.